一篇詳細(xì)的讀后感是需要結(jié)合實(shí)際的讀書(shū)內(nèi)容的，讀后感最重要的還是感與讀的結(jié)合，讀后感也成了運(yùn)用率最高的文體之一，下面是范文社小編為您分享的雨小說(shuō)讀后感通用6篇，感謝您的參閱。
雨小說(shuō)讀后感篇1
上乘之作！作者的文學(xué)功力自然是毋庸多言的了。情節(jié)設(shè)計(jì)精巧、極富吸引力，人物塑造出色，細(xì)節(jié)處理精致、嚴(yán)絲合縫。這些已足已令讀者大呼過(guò)癮，而更打動(dòng)人心的，是書(shū)中字里行間發(fā)散出的人性關(guān)懷。這些關(guān)懷的意念透過(guò)讀者的眼簾，進(jìn)入內(nèi)心，在心脾間滋生出暖意，促人向善、催人上進(jìn)。不少日本文學(xué)作品都飽含這類濃濃的人性的味道，有人稱之為來(lái)自底層的人文關(guān)懷，說(shuō)得恰如其分！釋放關(guān)懷的人身處社會(huì)底層，被關(guān)懷的對(duì)象亦是如此，雖都是微不足道的螻蟻人生，能感受關(guān)懷，同時(shí)也關(guān)懷別人，幫助別人也獲得幫助，形成一個(gè)美好的氛圍。
正如書(shū)中翔太敦也他們?nèi)齻€(gè)失業(yè)、生活無(wú)依、淪為以盜搶為生的垃圾（書(shū)中他們自己對(duì)自己的稱謂），在躲避警察的藏身所中，接到有煩惱的人穿越時(shí)空投來(lái)的咨詢信件，依舊能想著對(duì)方的煩惱，以己之力誠(chéng)心作答。浪矢老人收到三十多封惡作劇的咨詢信，心中生出的不是憤怒，而是真誠(chéng)的憐憫：他們內(nèi)心破了個(gè)洞，重要的東西正從那個(gè)破洞逐漸流失，嘖嘖！……
時(shí)代變換，世道變遷，大的經(jīng)濟(jì)環(huán)境起起伏伏，螻蟻一般的人生自然不能主宰這些。但是，不管在什么樣的年代，永不放棄的自我上進(jìn)和以悲憫之心善待他人，都應(yīng)該是我們始終堅(jiān)守的內(nèi)心。
雨小說(shuō)讀后感篇2
"la traviata" is a classic immortal novel, has swept the world, tens of millions of issuance, opera, drama, film and television works of thousands. the author dumas with his portrayal of life to weave a poor, pathetic, alas, lovely, amiable, respectable prostitute destiny, la traviata margaret in the fickleness of the world customs, social background, to find a true love, and this love will be kept out of the world. poor a roll of camellia female, broken all the world swing son soul!
poor and amiable - and armand love, to love the innocent margaret, everything can be sacrificed to her as long as he loves himself, nothing more. she had to reduce the burden of armand, secretly sold her jewelry, jewelry, which fully shows a amiable girl pure, selfless, pursuit and persistence of love, but her purity can not resist the armand really loved the seven emotions and six sensory pleasures, although margaret, but because of the misunderstanding, blindly extreme suspicion. the results hard to revenge, with their love shame so innocent and poor young girl. good people, the heart of evil, although this is proportional to, but i have to say the good may become evil, evil will become good, both of which are closely related, it is these people so i know, everyone on the beauty, it is very easy to be found, you will get to know it is why, perhaps, no, yes, margaret is no way to change a prostitute, but in the real, beautiful style, showing a poor and amiable highbrow.
sad and lovely margaret on his own career prostitute hated, in life, only the transaction and the false display of affection, the naked money relations, break the pale, here, she had thought of himself as great scourges, like a pariah scorned, some day in the future, will be like a dog who can not destroy others also, ruined himself. she did not voluntarily choose this dirty road, but she was forced by society. i think it is because of this sad fate that inspired her and bravely found what she really wanted and looked forward to. and armand abandoned all the pursuit of their own happiness, spent in the country, i think it is the only happy time in her life, she is like a child, lively, naive. she is trying to be an ordinary person, ordinary appearance, ordinary life, at least they can make her happy, not by money, she is worthy of love, because of her courage, because of her persistence, because her in the real, fling caution to the winds, touch tone, showing a a sad and lovely beautiful and elegant figure.
alas, armand and margaret - honorable matchmaking old prostitute f lui don s during the debt in her ill, and not only what did not help her, but dont even see her, it shows what? it was the complex darkness of society at that time, but a kind woman who could not get any relief. armand and her girlfriend olimp collusion hurt be margaret, what she can do, because armand no longer believe her, she had to write her voice in the diary, which explains what? margaret is the cry sad tired of hard life, is a respectable figure, a lost death scene. margaret worthy of respect, peoples hearts are the most incisive jiachou foil the soul of the value.
article two: [reading] camille
this is a dumas "la traviata" report. i have read this book for a short period of time, feeling really profound feelings and thinking, to record their own, but think what questions cant express my feeling after reading, whether it is the vision of imagination or grief, mourning, feel is not accurate enough, if it is called the book, i also simple. can make the only correct title.
who is the most noble and respectable whore in the world? believe that more than half of the people will say "margaret"， do not rule out that some will say that du shiniang, li shishi or something, but their influence is significantly less than the former. indeed, she is beautiful. pure, kind and selfless, elegant, although prostitution. still maintain a pure heart and independent personality. she is the lover of armands love is as keen as selfless enough to commendable. besides, margaret is out of shape based on the true story of the processing, and his portrait is really beautiful.
of course, the novel is not to depict the highlight of margarets appearance and character, mainly the sentimental love story, and the end of doomed tragedy, and the real delicate psychological description. especially armands psychological description is simply an inspired passage. the truth, the substitution of sex, are not questioned. as if he were armand, margarets love, is his own love for her.
generally speaking, a novel is a tragedy, a tragic tragedy, and this tragedy is inevitable. fireworks womens love is so difficult to think over, and mens paranoia and monopoly desire will inevitably lead to the development of this tragedy. while i was reading, i was wondering if armand was a scorpio, and that personality seemed to be the picture of the sky crab. however, there is no way to verify it. in fact, no matter what constellation, as long as falling in love with a man, will inevitably have the same idea as he.
i dont need to say more about the plot of the novel. its so famous. im sure most people would have read it. even my mother has seen it. at the end i talk about the author of the novel dumas.
dumas was alexandre dumass illegitimate child, at the age of 7 was admitted by alexandre dumas. i like alexandre dumass work very much. popular, but it has an unusual appeal. from the view of the camellia girl, the book is difficult to find the shadow of alexandre dumas, but still the same classics, long lasting. the book was written by the author when he was 24 years old, based on his own experience. at that time, the prototype of the camellia woman had just died. by the famous dumas. thats what we call "dead money."。 little man has many works in his life, but no one can compare with his own confession, which is another great tragedy of his.
雨小說(shuō)讀后感篇3
無(wú)論是初中還是高中在課堂上都接觸過(guò)魯迅先生的文章，對(duì)于魯迅先生我是敬佩的，課堂之余我看過(guò)他很多小說(shuō)，我總覺(jué)得讀他的小說(shuō)不會(huì)只簡(jiǎn)單的感覺(jué)到寫(xiě)得好或不好，有時(shí)候會(huì)感覺(jué)到時(shí)代的悲哀，有時(shí)候感覺(jué)主人公內(nèi)心深深的無(wú)奈，有時(shí)候又無(wú)望中帶著一絲微弱的曙光，光弱似風(fēng)中的蜘蛛絲，但終歸是有的。但以愛(ài)情為題材的文章是少的，《傷逝》是少之又少的其中一篇，我雖然不喜這個(gè)關(guān)于愛(ài)情的悲劇，但今天也假想一下自己是這個(gè)悲劇里一個(gè)普通的百姓。
?傷逝》以涓生的懺悔開(kāi)始的，一開(kāi)始就知道故事是一個(gè)悲劇，至少對(duì)于主人公來(lái)說(shuō)一個(gè)悲劇。我覺(jué)得兩人在最開(kāi)始的時(shí)候就存在一定的問(wèn)題，他們的結(jié)合是當(dāng)時(shí)人們所不能接受的，他們是逆于世俗的，這就為后來(lái)的結(jié)局埋下了伏筆。他們積極于追求自己的幸福是值得好的，可是他們生活的背景不允許他們的大膽開(kāi)放。在開(kāi)始的時(shí)候他們是幸福的，對(duì)于涓生來(lái)說(shuō)子君是一個(gè)類似知己的存在。在當(dāng)時(shí)，涓生是思想開(kāi)始覺(jué)醒的青年代表，他認(rèn)為子君是可以理解他的，在那個(gè)時(shí)候可以找到這樣一個(gè)女子是很難的，而子君也認(rèn)為涓生是不同于當(dāng)時(shí)那些青年的。但是，兩人之前的生活經(jīng)歷對(duì)兩人之后的生活產(chǎn)生了很大的影響。當(dāng)面臨生活中的瑣事時(shí)，子君發(fā)生了變化，涓生認(rèn)為她再不能像以前一樣理解他了，甚至他工作時(shí)都不能體諒他。
就算沒(méi)有那些生活背景，他們的性格弱點(diǎn)也注定了他們最終的分離，涓生的自私懦弱，選擇放棄子君來(lái)成全自己，對(duì)于子君的付出視而不見(jiàn);而子君則沒(méi)有足夠的意志拒絕來(lái)自物資的誘惑，不體諒涓生，整天與房東太太攀比，沒(méi)有了最初的靈氣。他們的悲劇也許是當(dāng)時(shí)很多愛(ài)情故事的代表，覺(jué)得那時(shí)候能夠堅(jiān)持到最后的，真的很不容易。能堅(jiān)持的除了對(duì)抗世俗之外，更多的對(duì)人性，彼此間的磨合習(xí)慣，性格的突破，需要一個(gè)強(qiáng)大的內(nèi)心直到最后的勝利。他們的故事讓人覺(jué)得，愛(ài)情對(duì)抗的是生活中的點(diǎn)點(diǎn)滴滴，只有最強(qiáng)大的愛(ài)才能面對(duì)生活中的瑣事而依然不變。
雨小說(shuō)讀后感篇4
最近我讀完了一本書(shū)，叫做《擺渡人》我我讀這本書(shū)是因?yàn)闀?shū)中的內(nèi)容簡(jiǎn)介很有趣和有意義。這本書(shū)的作者是克萊兒。麥克福爾他是一個(gè)美國(guó)人，而且這一本書(shū)是從英文翻譯成中文的。書(shū)中的每一個(gè)章節(jié)都非常短，結(jié)構(gòu)也很簡(jiǎn)單，但是有一個(gè)哲學(xué)的感覺(jué)。寫(xiě)的是從一個(gè)女孩的第一人稱的觀點(diǎn)和角度，那個(gè)女孩死了而且她是試圖穿越未知的土地去天堂，在擺渡人的幫助下她成功到達(dá)，但那女孩在天堂不開(kāi)心因?yàn)樗龕?ài)那個(gè)擺渡人所以她離開(kāi)了天堂去找到她的愛(ài)人。
心緒到現(xiàn)在還悸動(dòng)不定，好像自己和書(shū)中的迪倫、崔斯坦一起穿越每一座山，一起被惡魔追殺，一起到達(dá)每一座安全小屋，中途慢慢了解彼此的心意，迪倫勇敢的表白，彼此的坦誠(chéng)，快到達(dá)邊界時(shí)，決定在一起，卻因現(xiàn)實(shí)而不得分開(kāi)，本以為故事在這里就遺憾的戛然而止了，卻不曾想到勇敢的迪倫因?yàn)閻?ài)，重新踏上恐怖之及的返回之路，尋找崔斯坦。每當(dāng)?shù)蟼惖竭_(dá)一個(gè)小屋，我心里都默默的勸阻迪倫就在這個(gè)安全屋等待崔斯坦吧，前面太危險(xiǎn)了，崔斯坦肯定會(huì)過(guò)來(lái)的，可是迪倫每次都無(wú)畏的往下一個(gè)安全屋趕，去找尋崔斯坦，這讓我既害怕又特別期望崔斯坦趕緊出現(xiàn)，激動(dòng)的
是迪倫和崔斯坦終于相遇了，也一起跨越了所有的障礙，返回人間，在一起。當(dāng)看到最后，“原來(lái)你在這里”“我在這里”時(shí)的那種感動(dòng)與幸福，那種好像經(jīng)歷了所有的幸與不幸，我們依然雙手緊握，(.)不曾松開(kāi)，還好，你一直都在我目所能及之處，這已足夠。
看過(guò)了很多本書(shū)了，這是第一次特別強(qiáng)烈的想寫(xiě)書(shū)評(píng)吧，《擺渡人》是一本非常棒的書(shū)，看完之后，你會(huì)思考很多，反觀自己，說(shuō)是勇敢，但是我知道我從來(lái)沒(méi)有勇敢過(guò)，說(shuō)會(huì)為自己喜歡的東西堅(jiān)持下去，但是每次到半路我都會(huì)恐懼的返回，找各種借口返回，忘記初衷，我知道，這以后我想成為叫迪倫的這個(gè)女孩，為喜歡的人與事，勇敢的走到終點(diǎn)。我要大圓滿。
我非常喜歡這一本書(shū)，當(dāng)我在閱讀時(shí)我放不下這本書(shū)因?yàn)檎媸翘每戳恕Ｎ乙蚕矚g這書(shū)的神秘感，讓我一心只想書(shū)中會(huì)發(fā)生什么事。
雨小說(shuō)讀后感篇5
this is a dumas "la traviata" report. i have read this book for a short period of time, feeling really profound feelings and thinking, to record their own, but think what questions can't express my feeling after reading, whether it is the vision of imagination or grief, mourning, feel is not accurate enough, if it is called the book, i also simple. can make the only correct title.
who is the most noble and respectable whore in the world? believe that more than half of the people will say "margaret", do not rule out that some will say that du shiniang, li shishi or something, but their influence is significantly less than the former. indeed, she is beautiful. pure, kind and selfless, elegant, although prostitution. still maintain a pure heart and independent personality. she is the lover of armand's love is as keen as selfless enough to commendable. besides, margaret is out of shape based on the true story of the processing, and his portrait is really beautiful.
of course, the novel is not to depict the highlight of margaret's appearance and character, mainly the sentimental love story, and the end of doomed tragedy, and the real delicate psychological description. especially armand's psychological description is simply an inspired passage. the truth, the substitution of sex, are not questioned. as if he were armand, margaret's love, is his own love for her.
generally speaking, a novel is a tragedy, a tragic tragedy, and this tragedy is inevitable. fireworks women's love is so difficult to think over, and men's paranoia and monopoly desire will inevitably lead to the development of this tragedy. while i was reading, i was wondering if armand was a scorpio, and that personality seemed to be the picture of the sky crab. however, there is no way to verify it. in fact, no matter what constellation, as long as falling in love with a man, will inevitably have the same idea as he.
i don't need to say more about the plot of the novel. it's so famous. i'm sure most people would have read it. even my mother has seen it. at the end i talk about the author of the novel dumas.
dumas was alexandre dumas's illegitimate child, at the age of 7 was admitted by alexandre dumas. i like alexandre dumas's work very much. popular, but it has an unusual appeal. from the view of the camellia girl, the book is difficult to find the shadow of alexandre dumas, but still the same classics, long lasting. the book was written by the author when he was 24 years old, based on his own experience. at that time, the prototype of the camellia woman had just died. by the famous dumas. that's what we call "dead money.". little man has many works in his life, but no one can compare with his own confession, which is another great tragedy of his.
雨小說(shuō)讀后感篇6
童年是一條五彩的河;童年是一幅美麗的畫(huà);童年是一首動(dòng)聽(tīng)的歌;童年是一座閃亮的橋，每個(gè)人都有童年，每個(gè)人的童年也都各有不同，每個(gè)人都曾經(jīng)歷過(guò)，大部分人的童年是快樂(lè)的;美妙的;幸福的;充滿光明的;另一種人的童年卻是悲慘的;可憐的;無(wú)助的;充滿黑暗的……而我所看過(guò)的這本書(shū)的主人公阿廖沙就是另一種的代表。
最近，我利用寒假時(shí)間讀完了一本書(shū)，這本書(shū)的名字叫《童年》，書(shū)中形象的描繪了主人公阿廖沙悲慘的童年生活。這本書(shū)主要寫(xiě)了阿廖沙三歲到十歲這一時(shí)期的童年生活。主人公阿廖沙的童年是非常悲慘的他的父母雙亡。而外祖父的脾氣因?yàn)榧覙I(yè)的落敗而變得十分的暴躁，外祖父十分討厭阿廖沙，他兩個(gè)舅舅更是不喜歡他，可就是在這樣”寒冷”的家庭中卻有一抹明媚的”陽(yáng)光”。她就是阿廖沙的外祖母，阿廖沙的外祖母外祖母十分疼愛(ài)他，外祖母是一個(gè)善良，慈祥，熱愛(ài)生活，有寬大的胸懷的人，她在阿廖沙心中如冬日的陽(yáng)光，照亮了阿廖沙的心靈，其實(shí)阿廖沙的原型就是本文的作者——高爾基，高爾基借阿廖沙來(lái)描述自己的童年，這讓我們深深地體會(huì)到當(dāng)時(shí)社會(huì)的罪惡以及高爾基的悲慘，高爾基與我們比起來(lái)實(shí)在是太慘了!
我們多幸福啊!天天被父母寵著，每天坐在寬敞明亮的教室中聽(tīng)著老師講課回家還有做好的晚飯等著，想要什么，父母就會(huì)最大限額給我們，我們還有什么理由不好好學(xué)習(xí)，用最好的成績(jī)來(lái)回報(bào)父母。
讀完了這本高爾基寫(xiě)的《童年》后，使我受益匪淺，作者在描述阿廖沙的悲慘的同時(shí)也給了我們生活的啟示∶生活是不會(huì)一帆風(fēng)順的，有磨礪的人生才會(huì)讓人變得更加堅(jiān)強(qiáng)，自信，勇敢。讓自己的人生更加精彩。
